Born in Texas and raised in Virginia, Christine Cassano is an interdisciplinary artist, now living and working in Arizona, who exhibits regionally, nationally, and internationally. As a person with synesthesia, Christine explores converging systems of our modern, hyper-connected world. Sound as medium has become central to the approach of her paintings, sculptures and installations. As she weaves together audible and visible structures and patterns of our biological, technological and cosmological systems, her work considers our emerging era of converging cartographies, networks and methods of hybridization.
Christine is a recipient of the 2018 Artist Research Grant from the Arizona Commission on the Arts, funded in part by the National Endowment for the Arts. In 2016, she was awarded a Contemporary Forum Artist Grant from the Phoenix Art Museum, supported in part by the Nathan Cummings Foundation Endowment. In 2015, she was awarded a residency at the University of West Georgia and was also a recipient of the Phoenix Institute of Contemporary Art Grant, resulting in a published artist catalog of her work. Her public art sculptures, installations, and commissioned works are in various collections throughout the United States and abroad. Cassano is currently represented by Gebert Contemporary in Scottsdale and G2 Gallery in Santa Fe, New Mexico.
“Among many ways in which we can grasp the world are to either declare it simple and place all phenomena under one all-embracing idea, or go about the process incrementally, accumulating small segments of understanding that may gradually form larger clusters. The former is what most religions offer. The latter is something more like a jigsaw puzzle or Lego approach. It suits skeptics, scientists, inventors and artists. Knowledge can be gained in small pieces by experimentation: testing theory and gathering data. The relationship among these discrete packets is not immediately obvious, but over time — even a lifetime — several may snap together, and then larger units may click together to give a bigger parcel of understanding. The excitement of snapping pieces together makes for a great day. Sometimes the snap is recognized with a Nobel Prize. More often, it is simply personal satisfaction. An epiphany.
Christine Cassano puts the metaphor of the second alternative into visible, tangible terms, but also perceives the correspondences of form among widely different kinds of phenomena. She is an artist who sees relationships across fields of experience and knowledge and finds ways to present her epiphanies using a wide range of materials. But she is also engrossed by science and the new ways it gives us to see the invisible and relationships of systems. Cassano revels in the complexity that science can define. In her work, she suggests intersecting systems. She embraces complexity. Her work almost without exception brings together opposites, usually several sets in a single work. Inside/outside; natural/manufactured; the biological/the machine; public/autobiographical. Reaching into the cosmological approach, she sees resonance between the natural and mechanical which share patterns and processes.” – curator, museum director and arts writer, Marilyn Zeitlin, in “Bring All To Front”